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UNENJOY

by Majetic

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1.
PAMELA 04:01
plum-blooded, club-drunk sleeping on my floor you’re lovely you smell of migration & your curls are hardening like mine it’s so impossible, so obvious to meet your eyes still, i can laugh at your little aura, pamela & the freedom of self-deception bleeding from my tongue bleeding from your boozed tongue bleeding from your petal-blue, consecrated & corporeal tongue come into the backyard where your face gets hazy, pamela you look just like an orphan when you smile never-easing, ever-ceasing, pamela the blue-bellied night calls my orchard’s a dead metaphor i could be everything i will be everything i could be, i could be it i could be your lover in a second’s time but in the morning my eyes have turned to peaches & my hands hold my penis like hands on a stillborn my bed is a cherry red
2.
MICHEAL 04:42
driving with my friend home for the holiday he came out to me worried what his dad’d say well i know mine would murder me religiously but his patient mouth the difference the purse & pull of something innocent & small, he says all i want’s to rest my head on michael’s shoulder adequately feminine as the lord would have me be disciplined in poise and grace his womanly face, my womanly arms well i probably should’ve kissed him but i don’t know if you feel terrified in love than it is useless & if i’m perfectly honest with myself & with you there are nights when all i want’s to rest my head on michael’s shoulder
3.
one might voice seventeen possible voices twenty-three and still unsure of consequence undeliverance undestruction unredemption uncontentment unenjoyment does it leave you satisfied? monument opulence, marble & comely flawless save some tasteless text tagged at the base unenjoy unenjoy every enjoyment every useless thing that brings you happiness undestroy undestroy every destruction every murdered thing we’ve raised in monument unenjoyment uncommitment unadornment undefacement undestruction undeliverance unoppression unpretention undestruction well does your own death satisfy? all the time everything leans toward an ending & you reign your life to lean in confluence one slight voice infinite possible voices twenty-three & still unsure of righteousness
4.
CASEY 02:33
casey, you hassle you troublesome mut dysfunctional greyhound impetuous pup well i don’t have time for this shut your damn mouth your limitless whimpering carries all through the house casey, what is it? you have a bad dream? eric is gone i’m doing my best someone once hurt you & crippled your walk oh come here you elegant, dignified dog you look like a cheetah when i take for walks in the neighborhood come lie on the carpet i’ll finger the troughs of your rib cage when i feel a darkening you stalk through the house like anubis to find where i’m hiding out you come to my side & you comfort me with your paw

about

RELEASED BY WINSPEAR RECORDS ON MARCH 31, 2015.

ALL TRACKS WERE WRITTEN & PERFORMED BY CARE EXCEPT BASS ON BILAL WHICH WAS PERFORMED BY ISAAC KARNS, RECORDED MIXED BY SABBATH RECORDINGS, ADDITIONAL MIXING BY CARE, MASTERED BY ALL CITY MASTERING, RELEASED BY WINSPEAR RECORDS, COVER DRAWING BY BENJAMIN SPENCER, “CARE” TYPE & LOGO BY ROSS BERENS, IT IS WITH RESERVATION & RESPECT FOR SUBJECT AND FAMILY THAT WE USE THE NAME OF BILAL BERRENI [1991-2013], A PAINTER WHOSE BEING DEFIED ARTISTRY AS AN IMMORTALIZING GESTURE, INSTEAD INDULGING EPHEMERA & ENTROPY, EMBRACING ADORNMENT OVER ARROGANCE, ABANDONING SELF-AGGRANDIZEMENT TO DIGNIFY & ALLEVIATE THE PROCESSION AS IT WINDS ENDLESSLY TOWARD EXTINCTION, “BILAL” IS NEITHER FOR NOR ABOUT BUT BECAUSE OF ITS NAMESAKE.

“QUAND TU FAIS VRAIMENT CE QUE TU VEUX, TU RESTES SEUL” [WHEN YOU DO WHAT YOU WANT TO DO, YOU ARE ALONE].

credits

released March 31, 2015

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Majetic New York, New York

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